SMX.501
P R O F E S S I O N A L D J M I X E R
OWNER’S MANUAL
STANTON MAGNETICS, INC
[email protected] • 954.689.8833
w w w . s t a n t o n d j . c o m
P L E A S E R E A D C A R E F U L LY B E F O R E U S E
FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY
• Follow all security advice printed on your mixer
• When removing the unit's AC plug from the power source, grasp and pull
the plug, NEVER the cord itself!
• Avoid placing your mixer near heat sources, such as power amplifiers.
• When in use, place your mixer on a stable surface, away from vibration.
Always use care when carrying your mixer. Impact, or heavy vibration may
compromise the unit's mechanical integrity. The manufacturer is not
responsible for damage resulting from an impact, or misuse.
• When in use, place your mixer away from sources of hum or noise, such as
transformers, or electric motors.
• To prevent overheating, always provide your mixer with adequate
ventilation air space.
• Avoid stepping on your mixer's AC cord. Repeated compression of the cord
may lead to electrical shorting.
• To avoid damage due to AC voltage peaks, always disconnect your mixer
from the power source during electrical storms. If possible connect mixer to
a surge protector.
• Your mixer contains no user-serviceable parts. The manufacturer is not
responsible for any damage or personal injury resulting from unauthorized
user-servicing or modifications. In addition, the warranty will be void if any
unauthorized service by the user is detected. Always return your mixer to
an authorized Stanton dealer for servicing.
SMX.501 FEATURES
This hybrid 3-Channel, "Techno /
Scratch" mixer will appeal to both
Turntablist and Club/Rave DJs alike.
Nowhere else can DJs find so many
features included with the design of a
battle mixer. The SMX.501 is a "one of
a kind" mixer that combines the best of
both worlds and bridges the gap
between Battle & Club DJs.
• 3-channel scratch mixer
• Assign effects loop to each individual channel, plus the mic
• Custom High Quality P&G (Penny & Giles) Crossfader with VCA curve
adjustment and crossfader assign
• Assignable Crossfader (A, B, Bypass)
• VCA Crossfader curve control and reverse
• Curve control and reverse on Linefaders
• Each channel features a gain control, slider Pan, and a versatile
3-band EQ with complete KILL
• Balanced XLR master output (unbalanced RCA also provided)
• Booth output
• Rotatable 3 Position phono/line switch with flash feature
• Separate channel input and master output LED meters
• Headphone mute
• Dual headphone outputs (1/4"/6.3mm and 1/8"/3.5mm)
• Fully assignable Send/Return connections for external effects
• Pre Fader Listen (PFL) of channels and effects loop with Cue Pan control
• 3 line, 3 phono, and 2 mic inputs
• Mic channel features gain controls and a 3-band EQ
• Channel fader reverse switch
• Protekt Panel
• User replaceable faders
• OS2 compatible
DESCRIPTION OF FUNCTIONS
DESCRIPTION OF FUNCTIONS
C H A N N E L S T R I P S
GAIN
Controls the input level of each channel. An LED meter is provid-
ed on each of the 3 channels.
HI, MID, LOW (EQ)
Individual controls for high frequency, midrange, and low fre-
quency equalization with +9dB/Kill adjustments. Note: Any
changes made to EQ settings will change the overall output
level.
CURVE
The Line Fader Curve Control adjusts the curve of the input
faders between short, mid, or long fade.
PAN
Controls left/right output balance of each channel.
REV
Reverses the direction of each line channel fader. When the line
fader reverse function is engaged, the volume for that channel
will be full when the fader is down. As the fader moves upward,
the volume will decrease.
FX
This is an ON/OFF switch for the effects loop. The level is con-
trolled by the Send and Return knobs. See Master Section for
details.
INPUT SELECT
These toggle switches select the input source between phono
and line for each channel. The FLASH position can be used for
transforming and scratching effects.
LINE FADER
Controls the output volume of each channel. The signal is routed
to the line faders after the gain, EQ, pan, and effects.
DESCRIPTION OF FUNCTIONS
M A S T E R S E C T I O N
MASTER
Controls the overall output level of the mixer.
SEND RETURN
Send and Return levels are used to control the volume of the
external effects unit connected to the SMX.501 using the effects
loop. SEND is the level of the signal sent to the effect unit, and
RETURN is the level of the processed signal returning from the
the effects unit.
BOOTH LEVEL
Controls the output level for the booth output. This is basically a
2nd output. It is usually used for monitoring in a DJ booth, but can
be used for various applications.
CUE PAN
Fades the headphone output between the PFL signal (selected by
the Cue Select buttons) and master output, effectively allowing
the user to preview a mix.
CUE SELECT
Selects the channel(s) - 1, 2, or 3 - to be previewed in the head-
phones.
CFX (Cue FX)
Routes the signal from the effects to the headphones allowing
the user to preview the effects mix in the headphones.
MFX (Master FX)
Routes the signal sent to the master output through the effects
loop. This simply means that all audio coming out of the mixer
will be processed. This is very useful for effects such as filters or
compressors.
DESCRIPTION OF FUNCTIONS
M I C R O P H O N E S E C T I O N
MIC 1
Controls the input level of Microphone input 1.
MIC 2
Controls the input level of Microphone input 2.
HI, MID, LOW (EQ)
Individual controls for high frequency, midrange, and low fre-
quency equalization with +9dB/Kill adjustments. The EQ controls
both Microphone inputs. Note: Any changes made to EQ settings
will change the overall output level.
FX
This is an ON/OFF switch for the effects loop. The level is con-
trolled by the Send and Return knobs. See Master Section for
details.
F R O N T
CURVE
The Crossfader Curve Control adjusts the curve of the fader from
a short cut to a long fade.
CROSSFADER ASSIGN
This is used to assign a channel to either side of the crossfader
or to bypass it. A is the left side, B is the right side.
CUE LEVEL
Controls the volume of the headphone output.
HEADPHONE MUTE
This is a mute button that can be used to turn off the head-
phones without readjusting the volume.
HEADPHONES
This is the headphone output jack to connect your headphones.
FADER CLEANING AND REPLACEMENT
After constant use the SMX.501 faders may need to be cleaned and lubricated
from time to time. This will ensure long life and keep a smooth feeling through-
out the fader's lifetime. Follow the instructions below to lubricate and clean your
faders:
Removing a fader:
1. Make sure mixer is powered off and power supply is
disconnected from back of mixer.
2. To remove the Protekt Panel, take off the 4 main
fader knobs and then remove the 4 screws located
at the corners of the panels. Lift the panel to
remove.
3. Remove the fader to be cleaned or replaced by
unscrewing the 2 outer screws on the fader plate
(removing the 2 inner screws will detach the fader
from the fader plate).
4. Disconnect the fader from mixer by removing the 4-
pin connector on the bottom of the fader.
Installing a fader:
1. Once original fader has been removed, simply plug
the 4-pin connector into the new fader.
2. There is a recessed button on the left end of the
front panel which switches the mixer circuit between a
standard fader and the Focus Fader (not included).
Use a pin or thin screwdriver to access the button.
When the LED above the button is lit, the Focus Fader
circuit is engaged. When using a P&G fader, make
sure the LED is off.
3. Place fader back in mixer and replace 2 outer screws to secure fader.
Cleaning a Penny & Giles fader:
1. Remove 2 mounting screws from fader plate. (NOTE: The P&G fader is
designed with floating mounting threads for precise mechanical centralizing of
the fader. If you desire to keep your fader`s current mounting position we sug-
gest that you make 2 marks on both ends of the
fader on the fader plate to indicate the P&G fader
position.) See Figure 1.
2. Once fader is removed from unit, remove the two
screws (A) from the end of the fader body where
the wires exit the fader casing. Pull away the end
block. Withdraw the dust cover (B). Taking great
care, remove the slider assembly (C), ensuring that
the wiper contacts (D) are not damaged as this will
Figure 1
DESCRIPTION OF FUNCTIONS
affect the operation of the fader. Clean
C
B
the slider assembly by gently wip-
ing the wiper contacts and slider
bearings (E) using a tissue or cot-
ton bud. If slider bearings are
excessively worn, as indicated by
excessive slider rocking then con-
tact Stanton for replacement.
F
A
E
G
D
3. Remove the single upper screw on
the opposite end block to remove the guide rail.
Clean the guide rail (F) with a tissue or cloth,
removing all traces of dirt and contamination.
G
4. Remove the fader track (G) by slowly withdraw-
ing from the unit. Place fader track on desk or
working surface with black contacts facing upwards. If necessary,
the track can be washed in warm water, wiped gently then dried
thoroughly using a dry cloth. Use a lint free cloth or swab to wipe
the tracks and check for marks along the track. (Note: Lint free
cloth should be used to avoid dust/fibers being deposited on the
track). If the track appears excessively worn, or if cleaning does
not improve operation, replacement may be necessary.
I
5. Examine the center channel of the fader body and if dirty, clean
using cotton buds.
6. Re-assemble and lubricate the fader as follows:
6.1) Secure the end block and guide rail onto the fader body.
6.2) Insert track into the fader body.
6.3) Insert slider assembly onto guide rail and into the fader body. Move slid-
er from end to end to disperse the oil evenly. Carefully wipe away any excess
oil using a tissue or cloth.
6.4) Lubricate the guide rail by placing one drop of silicon liquid oil onto the
guide rail (F).
6.5) Insert dust cover.
6.6) Insert fader track back into fader body with wires coming out open end of
fader body.
6.7) Secure the remaining end block ensuring that the track wires (I) are not
pinched between the end block and fader casing.
7. Once assembled, move the slider from end to end to ensure operation is
smooth.
8. Attach fader to fader plate. (NOTE: As noted earlier if you do not want to
change positioning of fader, keep the 2 fader plate screws loose and shift the
fader until it is aligned with the marks you created in step 1, then tighten fader
plate screws.)
TECHNICAL SPECIFICATIONS
Line inputs:
2 (RCA) x 3 channels, -10 dBV /10 kOhm
2 (RCA) x 3 channels, -50 dBV / 47 kOhm
2 (1/4") -50 dBV /100 kOhm
2 (1/4"), -10 dBV / 10 kOhm
2 (1/4"), -10 dBV
Phono inputs:
Mic inputs:
Return inputs:
Send output:
Master output:
2 (XLR Balanced/RCA unbalanced),
+4 dBu balanced / -10 dBV unbalanced
2 (RCA), -10 dBV / 100 Ohms
2 (RCA), -10 dBV / 100 Ohms
1 (1/4 inch), greater than 32 Ohm load
20 Hz - 20 kHz, + 0.5/-2 dB
+ 9/-40 dB (Hi, Mid, Low)
Record output:
Booth output:
Headphone output:
Frequency Response:
Tone Control :
Max Gain:
14 dB
S/N Ratio:
Better than 100 dB (ref: max input level)
Less than 0.05% (1 kHz)
T.H.D
Dimension(LxWxD):
Weight:
14" x 10.25" x 4.75"; 355 x 260 x 120 )mm
9.25 lbs 4.2 kgs
REPLACEMENT PARTS
The following user replaceable parts are available from your local
Stanton dealer.
LF501
CF-PG110
CF-F2
Channel input fader
Penny & Giles crossfader
Focus Fader V2
OS2
PP501
Optical Scratch Switch (phono/line selector)
PROTEKT™ panel
PS-RM19US
PS-RM19EU
PS-RM19UK
US Power Supply (110v)
European Power Supply (220v)
UK only Power Supply (240v)
WARRANTY
Stanton Magnetics, Inc. – Warranty Provision – Returns for Repairs or Replacement
Warranty
Through Stanton’s authorized dealers around the World, Stanton, or one of Stanton’s
authorized distributors outside the U.S., will, without charge, repair or replace, at the sole
discretion of the entity responsible for making the repair or providing the replacement, any
Stanton merchandise proved defective in material or workmanship for a period of one (1)
following the date of original purchase. Exceptions to this warranty are as noted below:
The warranty for mechanical parts which are subject to wear and tear are limited to the ear-
lier to occur of thirty (30) days following the date of original purchase or the following num-
ber of cycles: Faders - 15,000; Rotary potentiometers - 10,000; and Switches - 10,000.
Stanton will warrant all replacement parts and repairs for ninety (90) days from the date of
original shipment. Repairs made necessary by reason of misuse, alteration, normal wear, or
accident are not covered under this warranty.
Returns
Authorized Stanton dealers are only authorized to sell and distribute merchandise within a
specific country. All goods requiring warranty repair or replacement must be returned (freight
prepaid if not hand-delivered) to the authorized Stanton dealer from whom the merchandise
was purchased and in the same country where the merchandise was purchased. For pur-
poses of purchases made via the Internet, the merchandise must be returned to the author-
ized Stanton dealer in the country where the authorized Stanton dealer which sold the mer-
chandise to purchaser is located and not the authorized Stanton dealer in the country where
the purchaser is located or the country in which the merchandise was received. Any returns
to a non-authorized dealer or to an authorized Stanton dealer not in the same country as
the merchandise was intended to be sold or as set forth above will void this warranty.
To initiate a warranty repair, you must contact the authorized Stanton dealer from whom you
purchased the merchandise, and follow such authorized Stanton dealer’s return policy.
Stanton assumes no risk and shall be subject to no liability for damages or loss resulting
from the specific use or application made of the merchandise. Stanton's liability for any
claim, whether based on breach of contract, negligence, infringement of any rights of any
party, or product liability, and relating to the merchandise shall not exceed the price received
by Stanton from your purchase of such merchandise. In no event will Stanton be liable for
any special, incidental or consequential damages (including loss of use, loss of profit and
claims of third parties) however caused, whether by the negligence of Stanton or otherwise.
To the extent permitted by law and except as otherwise provided above, Stanton disclaims
any express or implied warranties of merchantability or fitness for a particular purpose.
The above warranty provides you with specific legal rights. You may also have additional
rights, which are subject to variation from state to state and country to country.
If there is a dispute regarding the warranty of merchandise that does not fall under the war-
ranty conditions stated above, please include a written explanation with the merchandise
when returned pursuant to the terms and conditions set forth herein.
card to:
Stanton Magnetics, Inc, 3000 SW 42 St. Hollywood, Florida 33312.
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